[ He's good at playing chess. Leo is, he can actually casually beat down people who actually play chess except he obfuscates the wins because he thinks it'll just be a bad feeling to be a sole winner like that with the game ending. So when he sees checkmate he makes up stupid rules and messes around like a kid who doesn't know what he's doing, but when he's serious, he's good at chess. He can pick up musical instruments he's never touched and figure them out just by playing around with them. The quality that helps with those things, with similar things, is observation skills he pretends he doesn't have half of the time (neatly hidden behind his disinterest in anything that isn't his current focus and temperamental whimsy) and a sort of patience to try things from any angle until he gets the sound just right.
So he has fun doing this, learning how to make someone happy in a way that means open affection and physical touch. Sound and body language and anything people say are spread out like a composition he has to rearrange, and the fiddly work of shifting everything around to make something entirely new is always, always rewarding.
So, more pressure. He's allowed to bite down, and so he does and wonders briefly if blood from someone who uses blood magic tastes different or something? He still has no idea what's up with that and that means he can still make up a billion stories to himself to chase after and try to figure out. It's nice to have open feedback he can read, even if years of dealing with Sena have made it easier to figure out how to read feedback that's all between the lines of the stuff yelled openly.
A laugh in a lower key than his own, traced onto Esikko's hip this time because Leo thinks it's pretty and that's the fastest way for him to keep it in mind and he hasn't been scolded yet for tracing symbols like that.
Seems like right at the jaw is good but he figures out the nearer the ears faster and decides to suck a mark there to tease it out more. It's kind of a lazy speed to be doing things at, but if he goes breakneck Leo thinks he'll miss things that matters, and he doesn't want to do that.
He tries to find the right pitch against Esikko's skin, humming back the second happier note like that's a normal thing people do. The pitch is perfect. ]
no subject
So he has fun doing this, learning how to make someone happy in a way that means open affection and physical touch. Sound and body language and anything people say are spread out like a composition he has to rearrange, and the fiddly work of shifting everything around to make something entirely new is always, always rewarding.
So, more pressure. He's allowed to bite down, and so he does and wonders briefly if blood from someone who uses blood magic tastes different or something? He still has no idea what's up with that and that means he can still make up a billion stories to himself to chase after and try to figure out. It's nice to have open feedback he can read, even if years of dealing with Sena have made it easier to figure out how to read feedback that's all between the lines of the stuff yelled openly.
A laugh in a lower key than his own, traced onto Esikko's hip this time because Leo thinks it's pretty and that's the fastest way for him to keep it in mind and he hasn't been scolded yet for tracing symbols like that.
Seems like right at the jaw is good but he figures out the nearer the ears faster and decides to suck a mark there to tease it out more. It's kind of a lazy speed to be doing things at, but if he goes breakneck Leo thinks he'll miss things that matters, and he doesn't want to do that.
He tries to find the right pitch against Esikko's skin, humming back the second happier note like that's a normal thing people do. The pitch is perfect. ]